Step 4: hands, color and shading

After laying down dark colors, I wanted to smooth things out (blend) and then let that dry to complete this phase of thinking. A lot of the time, I will paint a layer and that layer or that color is a single thought.

Step 7: Shading and details

I'm going by color. the darker I get, the closer to final details I get. After the darks get figured out, it's easier to see where your finishing highlights will go.

Step 15: wall ready

I'm going to admit... This wan't the finished product. I added some layers of resin, a thick pour-on gloss. I felt like it "had to be done" for the art show. Don't worry, I'll post up the image from the Zombie Art Show on Halloween. As far as finishing goes.... it is a challenge when to really call something "finished". In this case, this could have been finished....

Step 1: Background, part 1

The general color of the gradient fade of the logs are used. Here, there are 3 layers of this strategy applied to get a good, solid layer. The object is to get rid of loose, painterly brush strokes.

Step 2: Solid Color

Now, the color over the white looks solid. All that needs to be done in this step is applying the general color... or the color "in the middle."

Step 3: Shading and Highlights

This is where you want the paint to stay wet. If it's not wet, you can't blend. The shape of the general skull is still being figured out as well.

Step 1: Background

A good reference is picked out first. After that, handling the background comes next. Getting the right gradient makes all the better.

Step 2: Drawing

Drawing is done with white paint to figure out where things generally go. Loose, swift strokes help through the process.

Step 3: Sculpting

the white paint is applied with one thin layer at a time. Where the lightest parts of the skin are will be where more layers of paint are applied. the image will start to build as you go.

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